It also says that we wrestle not against flesh and blood but against principalities and powers.
Part of me wants to accuse Driscoll of being a thief for stealing away the spiritually healing and empowering qualities of Song of Solomon.
But after reading WTH's assessment of Driscoll and seeing how important the marriage healing side of Song of Songs is to him, I have to back off and refrain from calling Driscoll, himself, a thief.
But his Peasant Princess series on the Song of Solomon and the error contained in it, this error is most certainly a thief.
There is healing and refreshing for the soul and spirit of the downtrodden in the Songs. There is also tenderness and a way of closeness to God, unparalleled anywhere else in the Bible. There is also the lifting up of the feminine from a low place from the muck and mire of this fallen world up to a high place of strength, maturity, and authority. I know it's there. I found it. It is a strong thread completely overlooked by Driscoll who is too busy looking for erotic, explicit sex under every rock and tree so his libido can be ever serviced.
The beauty and depth in Song of Solomon and the opening up of understanding of the Infinite is not something that should be brushed away lightly. Driscoll does the Body of Christ, the Bride of Christ, a great disservice when he mishandles the Songs as he does.
The healing, lifting up, and empowering of the Beloved by the Lover is a strong theme that shouldn't be sacrificed on the altar of Aphrodite and Eros. But I digress.
By now, any readers here will understand my concern over the thievery of Driscoll's doctrine. But with all my talk about him and the Songs, some of you may be wonder what sort of healing, empowering, and drawing near to God I'm thinking of. So I feel it would be good to repost some of my earlier writings on the Songs so that you may begin to see why the thievery and armed robbery of Driscoll's error bothers me so much.